In March, the first two movements of the Violin Sonata in D minor, Op. 1, are performed at the Wiesbaden Conservatoire, but are met with little approval. The attempt to get the sonata published by B. Schott’s Söhne fails. Further chamber music works under a strong Brahmsian influence are created. Reger completes his piano studies with a performance of Brahms’s Handel Variations, Op. 24, on 27 June. In the annual report of the conservatorire for the school year 1891/92 (beginning in September) he is listed as a student in theory and as a teacher for piano and theory.
Postal items from this year whose sender or addressee is Max Reger.
Images from the Max Reger Foto Gallery that originate from this year and have a direct reference to Max Reger.